Resonance (Exit Echoes) sinks linkages between the voice hummed or sung into the flute and feedback-like harmonics, with waves lapping among the rocks at the end of White Beach. Three years ago you could easily sense the original vibe of Boracay, feel the paradise. Now, not so....
The first section of voice/flute harmonics is connected (with 1960s-era can-do rudimentarism) to Pink Floyd's Echoes, which I recorded while "DJing" at Exit Bar and listening in on very good speakers as my feet sank into the sand. I added my own flute/seagull parts, as the sonic depth and intensity was like actually playing in a group setting with a still very experimental Gilmour, Waters, et al. Followed by a little bonus for the digital sleuths, not telling where I got it. #endurancewriter
The first section of voice/flute harmonics is connected (with 1960s-era can-do rudimentarism) to Pink Floyd's Echoes, which I recorded while "DJing" at Exit Bar and listening in on very good speakers as my feet sank into the sand. I added my own flute/seagull parts, as the sonic depth and intensity was like actually playing in a group setting with a still very experimental Gilmour, Waters, et al. Followed by a little bonus for the digital sleuths, not telling where I got it. #endurancewriter
Also check out my previous Boracay joints, Spirits (Paris exorcism) and Day - O + The Jungle Song. Oh and the first section of Chapter 3, Cowachunga is coming out tomorrow.
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