The first section of voice/flute harmonics is connected (with 1960s-era can-do rudimentarism) to Pink Floyd's Echoes, which I recorded while "DJing" at Exit Bar and listening in on very good speakers as my feet sank into the sand. I added my own flute/seagull parts, as the sonic depth and intensity was like actually playing in a group setting with a still very experimental Gilmour, Waters, et al. Followed by a little bonus for the digital sleuths, not telling where I got it. #endurancewriter