The Strip never quite sleeps––even at that moment when movement wanes and those tipsy sorts not enclosed in all-night wombs have departed in cabs, the neon lights and video towers flicker out ultra-luxe lifestyles at a bargain. The bridges that crisscross an otherwise pedestrian-hostile desert are empty except for the odd vagrant too out of his head to make it to the shelter of darker rock and scrub––the vacant expanses that hint at hard times only minutes from the glitter. The plexiglass on the overpasses, designed to halt the fall of brawlers and losers on the felt flickers a hundred fuck-me colors––stimulating aural intimations that one has come to a place where money spent is just a color form, unfocused.
Las Vegas Strip 3:45 am The Strip never quite sleeps––even at that moment when movement wanes and those tipsy sorts not enclosed in all-night wombs have departed in cabs, the neon lights and video towers flicker out ultra-luxe lifestyles at a bargain. The bridges that crisscross an otherwise pedestrian-hostile desert are empty except for the odd vagrant too out of his head to make it to the shelter of darker rock and scrub––the vacant expanses that hint at hard times only minutes from the glitter. The plexiglass on the overpasses, designed to halt the fall of brawlers and losers on the felt flickers a hundred fuck-me colors––stimulating aural intimations that one has come to a place where money spent is just a color form, unfocused. Prose created without a net––here is what I forged in today's workshop. A second potential beginning to Two Bullets Left. Again, far from the version that will make the book––and probably more original for that.
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Damon ArvidAuthor of Arisugawa Park. Fabric. Life. Categories |